Pietra Serena | Naturstein Risse (2024)

FAQs

Did Michelangelo use Pietra Serena? ›

Pietra serena was first largely discovered by the Etruscans in the Archaic period who occupied the medieval Italian area of Fiesole. It was used in the construction of much notable Italian architecture during the "Golden Age of Rome", including that of artists such as Michelangelo, Donatello, Brunelleschi, and Vasari.

Pietra Serena, also known as “macigno,” is one of the most fascinating and versatile stones used in Italian architecture. Its history dates back to the Renaissance and has been an iconic choice for prestigious monuments and buildings ever since.

It has been widely employed for architectural ornamental elements (e.g., capitals, columns, corbels, etc.), and during the Florentine Renaissance was preferred by Brunelleschi and Michelangelo to emphasize structural elements and give movement to the facades [29].

Undoubtedly the most renowned piece by Michelangelo was his work in the Sistine Chapel. The first four paintings we have chosen to highlight are all from this iconic interior. The first fresco we've chosen to highlight is perhaps one of the most iconic images ever created.

So when Pope Julius II decided Michelangelo should be the guy to paint frescoes on all 5,000 square feet of the Sistine Chapel ceiling — The room where new Popes are elected — he said “Er, no thanks.” For one thing, he was in the middle of another project for Pope Julius: Carving him a massive marble tomb.

Vintage sounding and sophisticated, Pietra is a feminine name of Greek and Italian origin. It stems from the Latin petra or the Greek word pétrā, which means "rock," representing how your bond with baby is as solid as a rock!

From van der Woodsen to Williams, Serena is a name that demands attention from the world. Its meaning of "serene" or "peaceful and quiet," though, will help baby to feel calmed and supported. This Italian girl's name comes from the Latin word serēnus and has been a popular choice for parents since Roman times.

Serena is a feminine given name. It is derived from the Latin word serēnus, meaning "clear, tranquil, serene". This name was borne by one of the first saints, Serena of Rome, purported wife of Emperor Diocletian.

Brunelleschi spent the next 10-years living rough in Rome with his good friend, the sculptor Donatello, studying the ruins of the great city. He was especially interested in Roman engineering and the use of fixed proportion and Roman vaults.

How was pietra serena used on the Pazzi Chapel? ›

The supporting elements – arches, entablature, pilasters – are highlighted by their grey pietra serena stone which stands out against the white plaster of the walls. The stone bench around the side of the chapel reminds us that it was used as the friars' chapter house.

It is no surprise then, that when Michelangelo was tasked with designing a dome for the sprawling St. Peter's Basilica in 1547, he looked to Brunelleschi's design for both structural and aesthetic inspiration.

A synonym of force, ease of processing and beauty, Pietra Serena is a grey sandstone typically used in Tuscan architecture and construction, but also used in art and particularly sculpture, in which the finest grain is best.

Pietra Silestone is a white stone with faint gray veins scattered on the surface. The veins are accompanied by the streaks of cream and blue. Overall, you can see a brisk surface created by faint colors.

Pietra Dura is an elaborate architectural technique introduced by Shah Jahan during his reign. His reign is known as the Golden Age of the Mughal Architecture who built some of the extraordinary buildings and forts like the Taj Mahal, the Red Fort, Jama Masjid, and Shalimar Bagh.

To add colour, Michelangelo used the buon fresco technique, in which the artist paints quickly on wet plaster before it dries.

Michelangelo preferred sculpting to painting so his preferred art medium was probably marble. Michelangelo's Sculpture of David was created when he was in his mid-twenties.

What did Michelangelo invent? Michelangelo created new mixes of fresco/plaster that lasted longer than traditional mixtures. In addition, he invented a unique scaffolding system to help him paint the Sistine Chapel ceiling, along with a wall design to help defend the city of Florence.